The textiles industry is facing substantial challenges and changes in the coming years. We know that the current model is not sustainable and that we have major problems all the way from raw material to end-of-life from social, economic, and environmental perspectives. The framework in which industry stakeholders operate is complex, with global markets and competition. The effects are felt not only by large global players but by all tiers tied to supply chains that are shifting from traditional ways of working to more fluid ones due to new innovations and technologies making global trade more accessible.
The current state is like a runaway train that has, for decades, been speeding up from fast fashion to ultra-fast fashion, driving down value and making us consume more. The textile industry consists of a broad range of applications, but the most visible and impactful is fashion. Consumers have been led to believe that quantity comes before quality and that only by consuming more will our lives become better. Growth has been measured not by planetary boundaries but by continuous economic spending – growth year on year. The linear model has made us believe that resources are infinite and that the financial figure is what determines value. Each tier has pushed down procurement prices and sold with as much profit as possible, leaving an imbalance in the system often taking advantage in the name of economics. Very rarely has, for example, the environmental impact or social aspects been included on the price tag.
So, what is going to slow us down, and how are we going to adapt to a new circular textiles industry? Firstly, we must understand that the textiles industry is very different from other industries and even if there are similarities and overlaps such as plastics and forest industries. The products are complicated with both functional and aesthetic requirements made from both natural and synthetic materials. The production processes are long established with many different stages and methods fine-tuned, tied in with human society development history. Secondly, textiles are an integral part of our daily lives and form part of our identity, social status, generational identification, and even function in society. Where we have arrived at in the last decades means that something must change, or we will drown in our own excess and pollute both ourselves and our environments in the process. Consumers alone cannot be made responsible for the current situation, even if they are a key player, although individuals can have an effect by the choices they make.
Implementing legislation in response to the problem of textile waste is one way to control this issue. The EU has a textile strategy that will affect both the European industry, but also all goods imported to the market. Making producers responsible and having them comply with due diligence means that all products sold in the EU market must comply with these regulations in the future. The separate collection of textiles requirement came into effect at the start of this year, and shortly products need to be designed to be safe and long-lasting. Producers will be responsible for the whole lifecycle of the products they produce and be able to trace them all the way back to the raw material. But there needs to be global standards as other countries and regions are also implementing legal requirements. This will be hard for items that are continuously blended and combined all the way from raw materials.
Brands, i.e., producers, will have a hard time tracing and documenting the origins of each item even with digital producer passports (DPP), which are primarily aimed at brands and consumers, not recovery. If we then add recycled content that does not have this information and, in the process, large volumes are combined, we come to a complex combination of sources that can’t be identified or not known. This is also when the source of the raw material in terms of status becomes important – is it mixed household collected textiles as waste, clothes donations to private businesses, post-industrial cuttings, or a combination of these? So far, labels do not tell the origin. A good example is rPET, which is mainly produced from bottles, yet consumers' understanding is 100% recycled polyester, means from a polyester source.