Sportswear: The Oft-Overlooked Mega Contributor to Fashion Waste

The UK discards 1 million tonnes of textiles every year, with about a third ending up in landfill or incineration, and the football sector is a big contributor to this. Lindsay Pressdee, Senior Lecturer in Department of Materials Faculty of Science and Engineering at University of Manchester, talks about the urgent need to tackle sportswear garment waste on a footing at par with fast fashion.

Long Story, Cut Short
  • A holistic approach is needed if we are going to see positive change, and a multi stakeholder approach, that also considers education and community engagement, is going to help drive a more sustainable future.
  • It is difficult to distinguish between 'blame' and 'responsibility', but it is important to establish sustainable behaviour throughout the supply chain.
  • The government needs to lead the change to end the throwaway society.
The football sector is a huge contributor to textile waste—approximately 2.45 million Liverpool and 1.95 million Manchester United sports shirts were sold worldwide in 2021 alone.
Waste Contributors The football sector is a huge contributor to textile waste—approximately 2.45 million Liverpool and 1.95 million Manchester United sports shirts were sold worldwide in 2021 alone. Manchester United FC

Note: Lindsay Pressdee, along with Dr Jo Conlon and Dr Amy Benstead form the project team for Game Changers at University of Manchester.

texfash.com: Very broadly, the subject of textile waste has almost become synonymous with fast fashion alone. Why has it been so? All the more so since sportswear (as in sporting activities, and as opposed to sportswear as a conventional market segment) is fast fashion too in many ways.
Lindsay Pressdee: Synthetic plastics are deeply embedded so much in our clothing that they seem to have become synonymous with the concept of fast fashion.

With sportswear we are often led to believe that the fabrics provide a sports benefit somehow, affecting performance, and therefore are a necessity. However, there is a small technological advantage which may be important to an athlete, but is not true for every item of polyester sports clothing.

Consumer awareness and understanding is a long game and requires a multifaceted approach; encouraging curiosity about repairing, reusing and recycling is essential, continuing the conversation about garment waste and the impact of this are at the centre of this project.

It is difficult to tackle climate change when unlimited economic growth is achieved through overproduction and overconsumption. Sportswear is just a part of the problem along with fast fashion. We need to tackle the problem in multiple ways due to the complexity and scale.

When and how was it that you came to the conclusion that sportswear needs to be looked at specifically? Surely it would have been nagging you for a while before you decided to go deep into the subject?
Lindsay Pressdee: The Game Changers project is focused on tackling the often-hidden problem of sports garment waste.

We work with local sportswear suppliers and the local community transform surplus football shirts into unique reusable tote bags, while educating them of the environmental impacts of textile waste and how we can extend the life of our garments.

We were inspired by hearing sustainable fashion pioneer Christopher Raeburn speak at a conference in 2022, who highlighted the problem of sports waste. For us in Manchester it’s a great fit, the city of football some might say, in the department of materials. We are already working with Manchester United Foundation, and hope to work with more sports clubs and sports brands.

Coming back again, sportswear is pretty much like fast fashion. There's a reliance on polyester, clothes are discarded sooner than later, and do not cost much (unless it is some premium range).
Lindsay Pressdee: Agreed, sportswear is often overlooked, and the size and scale of sports jerseys being replaced means it is a key contributor to garment waste. We don’t have any sports specific data yet, but it is mostly made from polyester which is similar to much of fast fashion.

It is very difficult to gauge the scale. In the English Premier League alone, there are 380 matches in a season. Are football jerseys re-worn? If not, then the number would be staggering, given there are other divisions too. Then there's memorabilia and merchandising. What numbers should we be looking at?
Lindsay Pressdee: At the moment it’s impossible to look at the scale of waste. However, we can look at the size of the market, and how many shirts are sold each season (Statista.com is a good place to start).

The football sector is a huge contributor to textile waste—approximately 2.45 million Liverpool and 1.95 million Manchester United sports shirts were sold worldwide in 2021 alone.

Stepping back a bit. Do you think the FA or even the FIFA, for matter, have an enormous and crucial role to play here? Are you thinking, at any point, of taking it forward with football associations?
Lindsay Pressdee: There is a brilliant opportunity to develop meaningful sustainable business models and community engagement models which works towards changing consumer behaviour, as this remains a key issue within the fashion and garment sector and raises serious environmental concerns. We hope this project will continue the conversation about garment waste and recycling and how we can inspire others and work towards a circularity.

Coming to the project itself. Why clothing waste from only football? Cricket is also a favourite sport in the UK. There surely is waste in the form of tees and flags at least.
Lindsay Pressdee: Football is just the start; this project will potentially work with any sport.

Transforming surplus football shirts into unique reusable tote bags. It is recycling — deferring the journey to the landfill and not biodegradable. How much does that help the environment? Or, do you think it becomes a delaying tactic, in the sense that those would eventually go to a landfill?
Lindsay Pressdee: If you look at the R Ladder, this is one of the first steps towards circularity. One of the key principles of the circular economy is to recycle used or unused materials to reuse them in the creation of new objects. Our research investigates the issues surrounding polyester sports garments and tackles the invisible sources and routes these garments take into the waste stream.

What steps are being taken to educate communities on the environmental impacts of textile waste and how the life of garments can be extended? What has been the response this far? How many areas are being covered?
Lindsay Pressdee: We are also creating an educational opportunity to engage with communities and schools to build awareness and skills with the next generation of consumers into recycling, repurposing, and garment circularity. The project aims to provide a fun, responsible way to keep kits in circulation while shining a light on the large-scale problem in the industry.

The response has been fantastic. On participant said, “I really enjoyed the creativity and the positive impact it left on not only me, but the environment.“

Reintroduce textiles as part of the school curriculum to engage young people in sustainable materials and arm them with the basic skills required to repair clothes — a good step. But what about availability and costs? What steps are being taken in this direction?
Lindsay Pressdee: At the moment this issue appears to be on the back burner, as it is not an election issue. However, we will continue to raise the conversation about textiles on the NC and the skills shortage and how this can contribute to sustainability and future skills.

We also need the government to lead the change to end the throwaway society. It is sadly often more expensive to repair an item of clothing than buy a new one. Unfortunately, many people also lack the skills to perform basic clothing repairs meaning clothes like football kits just get thrown away. In 2017, the government removed the standalone GCSE (General Certificate of Secondary Education) in textiles, and instead combined all technologies into a generalised GCSE.

This has reduced the number of students going into the field and reduced the breadth of skills they would have previously gained, which enabled them to move onto high education and employment. We are, therefore, calling on the UK government to reintroduce textiles as part of the school curriculum to engage young people in sustainable materials and arm them with the basic skills required to repair clothes.

The UK is at the forefront of textile design, and accounts 6% to the UK economy. We are surrounded by textiles—from furniture to garments, car interiors and costume. We need to enable the industry to grow with a skilled workforce. Industry and government (local and central) engagement is key to ensuring new policy measures work in harmony with developments in international policy, such as the EU strategy for sustainable and circular textiles. A holistic approach is needed if we are going to see positive change and a multi stakeholder approach, that also considers education and community engagement, is going to help drive a more sustainable future.

Lindsay Pressdee
Lindsay Pressdee
Senior Lecturer, Department of Materials Faculty of Science and Engineering
University of Manchester

There is a brilliant opportunity to develop meaningful sustainable business models and community engagement models which works towards changing consumer behaviour, as this remains a key issue within the fashion and garment sector and raises serious environmental concerns.

How do you think change can be brought about to end the throwaway culture? That probably is at the root of the problem, isn't it?
Lindsay Pressdee: We tend to think of this project as a signpost towards sustainable behaviours.

Behaviour change is a long game, but we are starting to see changes in buying behaviour. Careful communication by brands and encouraging consumers to buy better, wear longer and wear better are filtering through.

We are interested in sustainable communication and marketing, using tools like storytelling, testimonials, celebrity influencers (there can be sports personalities too) and careful use of the correct facts to avoid greenwashing, can start to make a valuable contribution to this as well.

It is difficult to distinguish between 'blame' and 'responsibility', but it is important to establish sustainable behaviour throughout the supply chain. Leading the way on this, the European Commission has proposed extended producer responsibility (EPR) for textiles in the EU to encourage producers to assume responsibility. The concept of producer responsibility aims to create appropriate incentives to encourage producers to design products that have a reduced environmental impact at the end of their life.

EPR focuses on encouraging producers to take responsibility. In an ideal scenario, everyone throughout the supply chain will take responsibility. We argue that tackling sustainability in the fashion industry needs to be put back on the political agenda. Unfortunately, there has been a lack of progress from the UK government following the EAC's Fixing Fashion report in 2019 which included a call for the use of EPR. We urge the government to drive forward the committee’s recommendations in order to put sustainable fashion back on the political agenda.

Sportswear is often an overlooked area, despite an over-reliance on polyester garments, which are harmful to the environment as the fabric releases microfibres and takes hundreds of years to fully biodegrade.
Sportswear is often an overlooked area, despite an over-reliance on polyester garments, which are harmful to the environment as the fabric releases microfibres and takes hundreds of years to fully biodegrade. Pamela Buenrostro / Unsplash

Subir Ghosh

SUBIR GHOSH is a Kolkata-based independent journalist-writer-researcher who writes about environment, corruption, crony capitalism, conflict, wildlife, and cinema. He is the author of two books, and has co-authored two more with others. He writes, edits, reports and designs. He is also a professionally trained and qualified photographer.

 
 
 
  • Dated posted: 17 January 2024
  • Last modified: 17 January 2024