Greenwashing Confuses Consumers, Creates Mistrust and Affects Brands Doing it Right

Fifteen years ago, when Fashion Takes Action (FTA) was established as a non-profit, ‘sustainability’ as a term wasn’t in vogue. Now while some brands are clearly leaders and taking big risks and others are much slower to engage, what has worsened is that there are brands not genuinely invested in making change and are marketing to consumers as if they are. This increased level of greenwashing ultimately affects those who are on the right track. Kelly Drennan, Founding Executive Director of FTA, talks to texfash.com on their agenda for sustainability.

Long Story, Cut Short
  • FTA plans to do research in 2023 on ICI waste to determine the volume, composition and flow of this material—mainly from institutions like hotels, prisons and hospitals.
  • It will be taking a new approach with WEAR in 2023 and it will really be a roundtable series focused on climate, living wage and circularity.
  • FTA's first significant grant was in 2017 and was for the youth education programme. Today FTA is supported by a mix of government grants, donations and sponsorships.
Fashion show at the Green Living Show. What has changed for the better is that there is a greater awareness of fashion’s role in climate change and in how it has treated garment workers.
Role of Fashion Fashion show at the Green Living Show. What has changed for the better is that there is a greater awareness of fashion’s role in climate change and in how it has treated garment workers. Fashion Takes Action

Broadly speaking, what was your assessment of the fashion industry when Fashion Takes Action (FTA) was launched in 2007? What were the key areas that you sought to work on at that time? The fashion industry is huge, and there's a lot of terrain to be covered.
In 2007, there were literally no medium to large brands focused on sustainability. It was only a handful of small/micro independent designers. My initial draw/focus was on the environmental impact of materials, and the use of sustainable alternatives, primarily (at that time) organic cotton, vegan silk, organic wool and hemp. I recognised that by changing the fabrics they were using, conventional fashion designers could reduce their overall impact on the planet. I also wanted them to see that these fabrics were at par with their conventional counterparts and that “green” fashion (sustainable wasn’t a term used then) was not just crunchy granola, patchwork and tie-dyed clothing. But that these fabrics can be made into runway worthy fashion! So, this was our focus with the Green Gala in 2007 and again in 2008 —getting 10 conventional designers in Canada to work with sustainable fabrics to create three looks for our runway event. From there, our focus expanded to include human rights and fairtrade, slow and local, and later vintage/thrift and reuse.

Fifteen years later, a lot has changed. There's a lot more data to back up arguments, there are a lot of organisations working on same or similar issues. What do you think has changed for the better? And by that same yardstick, what has worsened?
What has changed for the better is that there is a greater awareness of fashion’s role in climate change and in how it has treated garment workers. No longer do I hear “my customer doesn’t care about sustainability” which was what I often heard pre-2013, and instead most brands are trying to prioritise between the major issues as they relate to climate, labour, water and waste. Some are clearly leaders and are taking big risks, while others are much slower to engage. What has worsened is that some brands who are not genuinely invested in making change, are marketing to the consumer as if they are. This increased level of greenwashing only confuses consumers and creates a sense of mistrust, which ultimately affects the brands who are legitimately doing it right.

The Design Forward award runway presentation in 2017. Measurable action is definitely a huge factor in turning things around in terms of the textile-fashion industry achieving net-zero.
Runway Action The Design Forward award runway presentation in 2017. Measurable action is definitely a huge factor in turning things around in terms of the textile-fashion industry achieving net-zero. Fashion Takes Action

Your website quantifies some of the work. "2,500 + Number of global industry stakeholders we have worked with; 34,252 kg The amount of textile waste diverted through stewardship activities & events; 32,000 + Number of students reached with My Clothes, My World" Do you think these numbers adequately reflect the work that you have done? Or, do you think you could have done better?
I’m pretty proud of the impact we have had over the years for such a small non-profit. Considering that the entire organisation was run by volunteers (including myself) for the first 10 years of its existence, we have achieved a great deal. I would have liked to see more textile waste diverted, but this number was primarily through our youth education programme ‘My Clothes My World’ and when the pandemic hit, we were unable to continue educating them in the same way around clothing swaps and upcycling activities.

It's obvious FTA has been a lot into events. So, how have events helped or worked towards the work that FTA has been doing? Any particular event that you would remember that you believe best served its purpose?
Yes, we have done a ton of events and in the early years this was the number one way for us to deliver on our mission to raise awareness. We did a lot more consumer facing events at that time, because we realised that consumers were not buying into the idea of sustainable (or green) fashion, then it wasn’t supporting our members (we were a member-based organisation until 2017).

But the events were exhausting and really drained us from a resource perspective; so, we slowed them down before the pandemic. And as sustainability became more common, we started to see other events including marketplaces, runway shows and awards that overlapped with ours. So, we made the decision to stop producing and instead supporting them. This allowed us to focus our attention on our youth programme (which we launched in 2014), but which really expanded in 2017. At the same time, we ceased membership and part of our obligation to members was to host events to promote them.

The event that does stand out the most to me is our annual World Ethical Apparel Roundtable (WEAR) which is for the industry and brings global experts to Toronto to share best practices in an effort to motivate and inspire Canadian brands to take action.

On the consumer side of events, our ‘Design Forward’ award show was always fun (despite the stress of producing the event itself) as we loved shining a spotlight on Canada’s top sustainable fashion designers.

2007 And On

Since 2007, FTA has worked with thousands of apparel businesses – from micro through to multi-national in size. It has hosted over 200 events, participated in many more, conducted research with academics and industry partners, convened multi-stakeholder groups through a systems change approach, collaborated and supported several local and global NGOs, start-ups and other industry stakeholders.

Entire System

Member-based fashion industry organizations work solely with brands, retailers, service providers and academics. Sustainable, ethical fashion NGOs work with citizens, governments and academics. But FTA caters to the entire system – anyone who makes, sells, buys, wears, disposes, reuses, repairs, rents and reccycles clothing.

FTA was established as a non-profit. But 2007 wasn't 2022. It would have been relatively more difficult to raise funds / sell the idea. How did you raise funds at that time? How well funded are you now, and who remain your major donors?
You hit the nail on the head! Recall we were a volunteer organisation for the first 10 years. Our first significant grant was in 2017 and was for our youth education programme. Today we are supported by a mix of government grants, donations and sponsorships. But as we do not have charitable status (yet) we are not eligible for foundation grants or corporate donations. Each year our operating budget increases, but we continually seek out funding to continue doing the work and remain competitive from a salary perspective. There is nothing worse than finding good people and then having to let them go when they find a better paying job. Such is the case in many non-profits!

You have also been working with children since 2014. Could you tell us how you went about developing this programme? A kid who would have been 17 in 2014, would be a youthful 25 now. Do you stay in touch with them? And, do you have any mechanism of finding out how they are changing things now?
I was doing a lot of public speaking in the early days, either at our own events or being invited to speak at other events. The audience was mainly adult consumers. Sometimes I would also speak at colleges and universities. So, for us at that time, this was what we meant by “youth”. In 2013 my two daughters were aged 7 and 9, and when the Rana Plaza factory collapsed in Bangladesh, I was invited to give a presentation at their school (an alternative school that I helped found that had a focus on social justice and the environment).

This presentation opened my eyes to how engaged young people were to this topic, and how curious they were to learn more. Shortly after that I gave another presentation to a high school audience and was met with a similar reaction. From there we decided to play the long game when it came to public education, by reaching youth before they are consumers, out in the world buying “stuff”. And we also hoped that there would be a ripple effect by having them go home and share what they learned with their parents and siblings. And it did!

As we do not communicate directly with the students, but rather with the teachers, we have no way to follow up with them to see if anything has changed, or what kind of an impact we have had.

Kelly Drennan
Kelly Drennan
Founding Executive Director
Fashion Takes Action

Some are clearly leaders and are taking big risks, while others are much slower to engage. What has worsened is that some brands who are not genuinely invested in making change, are marketing to the consumer as if they are. This increased level of greenwashing only confuses consumers and creates a sense of mistrust, which ultimately affects the brands who are legitimately doing it right.

Green Gala 2008. FTA's focus with the Green Gala in 2007 and again in 2008 was getting 10 conventional designers in Canada to work with sustainable fabrics in creating three looks for the runway event.
Accelerating Action Green Gala 2008. FTA's focus with the Green Gala in 2007 and again in 2008 was getting 10 conventional designers in Canada to work with sustainable fabrics in creating three looks for the runway event. Fashion Takes Action

If I am not mistaken, FTA works primarily in Canada. But the WEAR event addresses the global industry. Could you please elaborate on this?
When we began to turn our attention to the bigger brands, I was frustrated that there was little interest in the topic, and even less interest in attending global conferences around sustainability in fashion. So, I decided to bring the global experts to Toronto instead so that the brands here would have no excuse but to show up! Fashion’s supply chain is global. We no longer manufacture clothing in Canada (or very little) and even less yarn and fabrics are produced here. This means we need to be looking to global supply chain partners, and experts to share insights and perspectives so that we can learn from one another and take collective action where possible.

Sometime last year you brought out the Textile Recycling Feasibility Report. You say on your website — “In total, we estimate that nearly 500,000 tonnes of textile waste is ending up in Canada’s waste streams each year. This does not include textiles from the Industrial, Commercial & Institutional sector (ICI), which means this number is even higher.” What is the goal and action plan towards achieving recyclability? How can FTA make a difference?
We plan to do research in 2023 on ICI waste to determine the volume, composition and flow of this material—mainly from institutions like hotels, prisons and hospitals.

But recycling is not the only focus. We set out with this as a focus simply because we wanted to see if we could prove the business case to keep the material here (and not send to the Global South) and make a product in Canada from that material. If we could demonstrate a higher value end-product, then perhaps there would be a demand for this feedstock and the exporters would feel less financial motivation to sell overseas.

But our biggest project in circularity is the launch in 2023 of the Canadian Circular Textiles Consortium (CCTC), which will bring all the stakeholders together from across Canada (cities, brands & retailers, charities & private collectors, sorters & graders, exporters, innovators, manufacturers, academics and NGOs) to connect and collaborate in an effort to avoid duplication of effort and resources, and to accelerate action. Several working groups will be formed as part of our five-year strategy, and stakeholders will be invited to participate in various projects that we plan to lead.

Our role is to convene and communicate, while at the same time removing barriers to sustainability and circularity. The CCTC will allow us to do this, and continue the multi-stakeholder work we have been leading for the past five years.

WEARing Right

FTA's annual World Ethical Apparel Roundtable (WEAR) which began in 2014, became a monthly webinar series in 2020, and in 2022 FTA held the first hybrid conference. The youth education programme, My Clothes My World, is currently delivered to students in grades 4-12, in person and virtually – across Canada and in Europe and has reached more than 32,000 students to date.

Recycling It

From 2017-20, FTA convened the Ontario Textile Diversion Collaborative (OTDC) which brought together over 40 stakeholders – charities, collectors, retailers, brand owners, academics, NGOs, policy makers and municipalities – in an effort to increase textile waste diversion and uncover solutions for reuse and recycling. In spring 2021, FTA published Canada’s Textile Recycling Feasibility Report, with financial support from Environment & Climate Change Canada.

 

Fashion’s supply chain is global. We no longer manufacture clothing in Canada (or very little) and even less yarn and fabrics are produced here. This means we need to be looking to global supply chain partners, and experts to share insights and perspectives so that we can learn from one another and take collective action where possible.

Does FTA have any events or programmes that are geared toward smaller fashion businesses and consumers.
Yes, in fact on 30 April we will be hosting our first public event in some time (since before the pandemic) that is called the Sustainable Style Show. It is for exactly that audience—eco-conscious and eco-curious consumers, small designers, fashion students, DIYers, crafters and swappers! The entire focus of the event is on reuse, with experts on stage giving talks, a number of DIY workshops, and a clothing swap to top it off!.

Since FTA was conceptualised—till date and the just concluded COP27—how much measurable action on ground zero by the fashion industry would be needed to emerge as a planet-friendly industry?
Measurable action is definitely a huge factor in turning things around in terms of our industry achieving net-zero. You can’t manage what you don’t measure! Brands need to really connect and build partnerships with their supply chain partners, beyond tier one. They need to invest in traceability and transparency because nothing will change if they don’t know what needs fixing.

Conferences, action plans, future-scanning and all those words that promise a lot, but as COP27 revealed the fashion industry has not yet been able to get its act together. In this disturbing context, what is FTA planning to do for 2023?
We are taking a new approach with WEAR in 2023 and it will be a roundtable series focused on climate, living wage and circularity. The format for the series will be structured in a way that it is outcomes based because we are hearing that this is what the industry in Canada now wants. Yay! So, it’s a departure from the typical format of many, many speakers and session after session of learning and engaging. Instead, it will be the industry coming together to determine a set of shared priorities and feasible and achievable action items that will ultimately have an impact.

Talking of events again, World Ethical Apparel Roundtable (WEAR) was a hybrid event this year. What were the key takeaways from this year's WEAR?
We are changing the format of WEAR moving forward, mainly due to the feedback and key takeaways from this year. First, we will not be hosting a hybrid event again as it really is a huge drain on our resources. And second, the brands and retailers here are ready to take action. While it was great that virtual events made it possible to expand our audience far beyond Canada, our strategy is to dial it back and focus on supporting the brands right here at home.

Pilot Project

FTA is now leading a mechanical textile recycling pilot with a supply chain in Canada, to produce an end-product that is consumer-facing and aesthetically pleasing. This project will also include the development of a guidance document that will be widely shared, and the convening of a stakeholder learning group with more than 20 participants from across the country.

The Toolkit

In 2019, FTA launched the Sustainable Fashion Toolkit in partnership with PwC Canada, in an effort to help global brands and retailers save time when researching the many resources and strategies that are available. These now live online in one centralised location that are easily divided by various categories.

Subir Ghosh

SUBIR GHOSH is a Kolkata-based independent journalist-writer-researcher who writes about environment, corruption, crony capitalism, conflict, wildlife, and cinema. He is the author of two books, and has co-authored two more with others. He writes, edits, reports and designs. He is also a professionally trained and qualified photographer.

 
 
 
  • Dated posted: 14 December 2022
  • Last modified: 14 December 2022