texfash: Colonialism can mean different things to different people, especially to those of us from erstwhile colonies. So, according to you, how does carbon colonialism be understood in today's context?
Laurie Parsons: You are absolutely right that colonialism has many facets and meanings – as well as being a topic covered by many brilliant postcolonial scholars from Frantz Fanon to Edward Said. Rather than attempting to pull together a comprehensive discussion of coloniality, therefore, this book centres primarily on how the development of the global economy over the last 300+ years, which was set up through colonial mechanisms and continues to persist in much the same vein, shapes the ways in which climate breakdown manifests. It is therefore an attempt to bring the global economy back into the climate conversation and above all to historicise it.
Carbon colonialism would also work differently in different industries/sectors. How does it work in the context of the textiles-apparel-fashion industry, which is possibly one of the most spread out globally? Does it become easier in this industry to appear squeaky clean, since all the dirt is passed off as Scope 3 emissions?
Laurie Parsons: This book covers a range of different industries, but garments are at the centre of the story. You are correct that apparel manufacturing is not only a highly polluting industry, but also one that is notably obscure due to the complexity of the supply chains involved. A key thing that I try to do in this book is highlight the disjuncture between the claims we see beside a clothes rack and the lived reality of production. I then step back to explain the structures that explain this gap – and yes, the issue of scope 3 emission regulation is a massive problem, essentially rendering the vast majority of global Northern garment production out of sight, out of jurisdiction and out of mind. This is, to my mind, a very good example of carbon colonialism.