The Circular Economy Is Working for the Wrong People in the Wrong Places

The secondhand clothing market is growing fast, and the gap between that growth and genuine circularity is growing faster. A major new study by Circle Economy and Fashion for Good, covering sorting facilities across four EU countries and receiving markets in Ghana and Pakistan, shows that most discarded garments are physically rewearable. What keeps them out of circulation is not damage; it is economics.

Long Story, Cut Short
  • Most discarded clothing is physically wearable but commercially stranded, priced against fast fashion rather than its own material condition.
  • European used textile exports have tripled since 2000, transferring waste management costs to markets in Ghana and Pakistan with no funding support.
  • AI sorting and targeted repair improve Rewear economics but cannot change what the system produces upstream.
The grade assigned to a garment at a sorting facility has less to do with its physical condition than with whether it aligns with current trend cycles and carries a recognised brand name.
SORTED VALUES The grade assigned to a garment at a sorting facility has less to do with its physical condition than with whether it aligns with current trend cycles and carries a recognised brand name. AI-Generated / ChatGPT

The secondhand clothing market is, by almost every available measure, growing. Consumer interest is up, platforms are multiplying, and the language of circularity has spread through the industry with a speed that outpaces any measurable change in how clothing is produced or discarded. At the centre of this sits Rewear, the collective term for practices that keep garments in active use beyond their first owner: resale, repair, rental, upcycling, and the logistics that make each of these possible. It is, in principle, fashion's most direct answer to its waste problem. In practice, the answer is more complicated than the growth numbers suggest.

Rewear as a structured industry initiative has been building since 2021, when Fashion for Good launched its Sorting for Circularity framework, a multi-market programme designed to harmonise the collection, sorting, and recycling industries and advance both textile-to-textile recycling technologies and the resale sector. The framework has since expanded across Europe, India, and the United States, bringing together brands, sorters, innovators, and researchers around a common question: what does it actually take to keep clothing in use at scale?

Sorting for Circularity: Project Rewear, the latest study produced under that framework in partnership with Circle Economy, attempts an answer grounded in data rather than ambition. It analysed 8,280 post-consumer garments at European sorting facilities, tracked secondhand clothing flows into Ghana and Pakistan, and ran three innovation pilots testing whether smarter sorting, targeted repair, and digital aftersales tools can change the economics of keeping clothes in use.

The findings are instructive, and not in the way the secondhand market's growth trajectory implies. Of the garments analysed, 37% showed no damage at all, and a further 41% carried only a single minor flaw, meaning that the overwhelming majority of discarded clothing was, by any physical measure, still wearable. Yet most of it will not be reworn, or not at the value its condition warrants. The constraint is not material. It is economic.

What the study surfaces, with some precision, is the architecture of a value system that works against the thing it claims to support. Resale markets price garments not on condition but on trend alignment, brand recognition, and perceived desirability, criteria that have no stable relationship with whether a garment can be worn again. The top fraction of stock, the so-called "cream" that commands premium prices, accounts for 5 to 10% of what sorting facilities process. Everything else competes against the artificially suppressed cost of new clothing, produced at a scale the industry rarely discloses and discarded at volumes it rarely advertises.

That suppression runs deep. Consumer expectations have been shaped, over years, by a market in which a fast fashion T-shirt costs less than a cinema ticket, which means that a secondhand T-shirt in acceptable condition must compete not against its replacement value but against the price of a new one made worse and cheaper. Repair and preparation for reuse rarely survive this arithmetic. The labour and logistics required to clean, depill, or mend a garment frequently exceed the margin available on its resale, which is why, across the European facilities in the study, preparation for reuse remains marginal even for operators who believe in it.

The global secondhand apparel market is forecast to reach US$367 billion by 2029, a figure the industry cites with some regularity. Less cited: the fashion industry produces an estimated 100 billion to 150 billion garments annually, with up to 30% never sold. Rewear, under these conditions, is not a counterweight. It is a parallel market, capturing value at the margins while the production model that generates the waste continues largely undisturbed.

The question the study forces into view is not whether clothes can be reworn. Demonstrably, most of them can. The harder question is why so many rewearable garments end up commercially stranded, or exported across three continents before finding a second use, or simply discarded by markets that cannot absorb the volumes arriving from above. That question leads not to the secondhand sector but to the upstream decisions, on design, on volume, on price, that determine what enters the system in the first place.

The Wrong Kind of Growth

Rewear's growth story has a structural problem concealed inside it. The secondhand market is expanding, 58% of consumers surveyed in 2024 had purchased secondhand apparel, and regulatory pressure in Europe is pushing brands and producers toward circular commitments they have not previously been required to make. None of this has resolved the central difficulty: that the value system governing what gets reworn, at what price, and through which channels, is controlled not by the secondhand sector but by the linear clothing industry whose discard decisions feed it. That industry rewards newness, trend alignment, and brand cachet. Repairability, durability, and material condition do not enter the calculation.

The study makes this visible in numbers that are difficult to dismiss. Of 8,280 post-consumer garments analysed across sorting facilities in the Netherlands, Spain, Poland, and Lithuania, 37% had no identifiable damage and a further 41% carried only one minor flaw. Roughly four in five discarded garments were physically fit for continued use. Physical condition, however, showed no statistically significant relationship with resale value. What determined value was perceived desirability: trend relevance, brand identity, the kind of judgment that has nothing to do with whether a garment can be worn and everything to do with whether anyone currently wants to wear it.

The secondhand market, in other words, has imported fast fashion's value criteria wholesale, discards and all.

The commercial arithmetic that follows is unforgiving. Sorting facilities in Europe operate across a cascade of quality grades whose price points reflect this hierarchy with precision. Grade A stock, visibly fashionable and associated with recognised brands, accounts for approximately 5 to 10% of collected textiles and commands €4.50 to €6 per kg at export. That premium exists entirely because of brand and trend perception, not material quality. Grade B material, roughly half of all collected textiles, sells for €0.45 to €2.10 per kg. Grade C, representing up to 40% of what sorters process, moves toward recycling or energy recovery at €0.03 to €0.40. The vast middle of the stream, rewearable by any physical standard, is priced as a near-waste product.

Minor intervention could shift some of this. Cleaning, depilling, and basic repair would raise the resale value of a significant share of Grade B stock. Across comparable European repair research, fewer than 3% of garments arriving at repair operations are genuinely beyond recovery, with most repairs classified as easy or medium difficulty. But the economics resist intervention at every point: labour costs for preparation are fixed, resale margins are compressed, and the price ceiling on secondhand clothing is anchored to what new clothing costs.

One participating facility repaired just 50 kg of garments in a year in which it processed approximately 47 million kg of collected textiles. That ratio is not an operational failure. It is a market signal.

What emerges is a portrait of Rewear as a selective value-capture system. It rescues the most commercially desirable fraction, moves the middle through lower-value export channels, and leaves the production model generating the volumes entirely intact. Growth in secondhand retail does not challenge this structure. It operates within it, on terms the linear industry set.

Sorting for Circularity: Project Rewear
Sorting for Circularity
Project Rewear
  • Publisher: Fashion for Good and Circle Economy
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The Geography of Transferred Risk

The European sorting system does not close the loop. It displaces it. What cannot be retained at value domestically moves outward, primarily to Africa and Asia, where it enters secondhand markets operating under conditions that European circularity frameworks neither fund nor fully account for. Those markets are not peripheral to the story of Rewear. They are where most of it actually happens, and where most of its costs land.

EU exports of used textiles have tripled since 2000, rising from just over 550,000 tonnes to nearly 1.7 million tonnes in 2023. That is a structural consequence of collection systems gathering more than domestic markets can absorb, not a sign of circular ambition. The regulatory architecture that governs these flows compounds the problem. Under customs code HS 6309, textiles exported for rewear bypass the controls that apply to waste shipments, a classification that holds regardless of actual garment condition on arrival. The study's Ghana data shows that 86.5% of sampled garments arriving in bales classified as rewearable showed some form of damage. The classification describes intent rather than reality. It protects the exporter, not the recipient.

Accra's Kantamanto Market receives an estimated 15 million garments weekly. What it sustains is genuinely complex: traders, repairers, upcyclers, porters, and waste collectors working in concert to extract value from material that arrives damaged, culturally misaligned, and priced according to bale compositions they cannot inspect before purchase. Each actor in that chain absorbs a share of the risk that the export system upstream has transferred without acknowledgment.

A trader at Kantamanto assumes both the financial risk of a bale's contents and the disposal cost of whatever cannot be sold. Import taxes, cumulative across VAT, levies, and duties, reach around 40% of declared bale value, compressing margins that were already thin. When the Ghanaian cedi depreciates, as it did sharply across 2024, the price of a single €450 bale can jump by hundreds of cedis within months. The people absorbing that volatility are the traders, not the exporters. The risk travels with the bale; the accountability does not.

Pakistan's position in this system is different in structure but not in its underlying logic. The country imports more than 800,000 tonnes of secondhand clothing annually, sorting it through a sophisticated multi-tier network centred on the Karachi Export Processing Zone, then redistributing domestically and re-exporting primarily to East Africa. The sorting operation is genuinely skilled: import values average US$411 to $527 per tonne, while exports reach US$878 to $931 per tonne, a near-doubling that reflects real expertise, not arbitrage. Pakistan creates value where European systems could not. It does so on feedstock it did not choose, at quality levels it cannot control, under trade classifications set elsewhere.

The revised Waste Framework Directive, which made textiles EPR mandatory across the EU from October 2025, does not address this asymmetry. Current EPR schemes provide no cross-border financing mechanism. The actors performing the most labour-intensive Rewear work, in Kantamanto and in Karachi, receive none of the producer fees collected upstream. The value they create is real; the system that generates it does not pay for it.

Ghana and Pakistan are not passive recipients of European discards. They are active Rewear economies with deep market knowledge, repair capacity, and value-creation systems that operate at scale. What they lack is any power over the upstream decisions that determine what arrives: design choices affecting garment quality, volume decisions affecting how much is produced, classification systems affecting what is designated rewearable for export. Those decisions are made by actors who bear none of the downstream consequences. Circularity, structured this way, is less a closed loop than a managed gradient. Value concentrates at one end. Cost accumulates at the other.

The majority of clothing entering secondhand systems is physically intact, yet most of it will not be reworn at the value its condition warrants, because the market was not built to price material quality.
The majority of clothing entering secondhand systems is physically intact, yet most of it will not be reworn at the value its condition warrants, because the market was not built to price material quality. AI-Generated / ChatGPT

The Hard Limits of Precision

Precision is the direction Rewear is moving in. The broad ambition of keeping more clothes in use is giving way to something more operationally exacting: identifying which clothes, in which categories, through which interventions, at which points in the value chain the economics actually hold. Three pilots commissioned as part of the study tested this across sorting automation, targeted repair, and brand-level aftersales integration. Each produced evidence of what is possible. Each also exposed, with some clarity, the boundary at which operational innovation stops and structural constraint begins.

The most quantifiable results came from reverse.fashion, a technology company founded in 2024, whose AI-enabled sorting system was tested against the manual multi-step processes most European facilities currently use. Capturing near-360° high-resolution garment images and classifying items in real time at speeds of up to two metres per second, the system demonstrated 40% higher productivity per unit against manual sorting, personnel cost savings of up to €90,000 annually per unit, and approximately €200,000 in annual revenue uplift. Modelling for a mid-sized sorter processing 30,000 tonnes per year showed a profit shift from zero to €6.5 million when manual sorting was replaced across 25 line units. Those figures are real and significant, and the mechanism generating them is worth understanding precisely.

AI-driven precision shifts small fractions of stock into higher-value categories, and at industrial scale, small fractions become large sums. The vintage fraction in the model increased by 1.5 percentage points; the cream fraction by 0.5. The gains are real. The ceiling is fixed.

The United Repair Centre pilot tested whether targeted repair could retain value in post-consumer garments and redirect them from low-value export toward domestic European resale. Of 164 items repaired and offered through a secondhand retail partner in Antwerp, 96 were assigned any resale value, and of those, only 18 achieved a positive margin after repair and logistics costs. Median resale value across the sample: €6. Median total operational cost: approximately €14. The arithmetic did not hold, but the reason matters.

The garments supplied were predominantly low-value fast fashion items, not the denim and outerwear mix the pilot had been designed around. Outerwear, where it appeared, performed differently: one repaired jacket sold for €125, and even excluding that result, the category median held at €14 against a mean of €32. A separate dataset from one of URC's anonymised brand partners tells the fuller story. Some 1,131 items processed through the same repair service, predominantly higher-quality branded garments, returned an average margin of €51.20 per item, with 97.7% achieving positive returns. Repair works. It works on the condition that the garment entering the pipeline has sufficient resale value to absorb the cost of intervention. That condition is met by a declining share of post-consumer flows.

Save Your Wardrobe approached the problem from the brand side, building a digital aftersales diagnostic tool that translates circular ambition into commercially specific options. Brands input up to ten operational and strategic data points and receive two tailored optimisation scenarios from seven possible repair and care configurations. Where tested, the operational impact was direct: aftersales lead times fell from a 21-day baseline to a mean of three days. That compression matters less as an efficiency metric than as a signal about where the barrier actually sits. The pilot's broader finding is that low recorded demand for repair services frequently reflects structural invisibility rather than genuine consumer disinterest. Made accessible and consistently integrated, repair uptake exceeds initial brand expectations. The demand exists. The infrastructure to surface it, in most cases, does not.

All three pilots produced genuine findings, and all three ran into the same wall. The sorting system can identify more of what is valuable in the existing stream; it cannot change what the stream contains. Repair's strong returns depend entirely on the quality of what enters the pipeline, and that quality is declining. Demand for aftersales services is real, but it stays hidden until someone builds the infrastructure to reach it. Precision, in each case, works within the constraints of the upstream system. It cannot alter them.

The Upstream Problem

Rewear is being forced to confront its own limits, and the confrontation is clarifying. Better sorting, more targeted repair, and smarter aftersales systems can improve what the secondhand sector captures from the stream it receives. None of them can alter the stream itself, whose volume, quality, and composition are determined by production decisions made before a garment reaches any sorter, repairer, or resale platform. If those decisions do not change, the efficiency gains accumulating at the margins of the system will not change the trajectory. Rewear may become more precise. That is not the same thing as becoming transformative.

The Value Gap
  • In a sample of 8,280 garments, 37% showed no damage and 41% had only one minor flaw, yet most will not be resold at value.
  • Physical condition showed no statistically significant link to resale value; trend relevance and brand identity determined price.
  • Grade A "cream" stock, only 5 to 10% of collected textiles, commands €4.50 to €6 per kg at export.
  • Grade B material, roughly half of all collected textiles, sells for as little as €0.45 per kg despite being rewearable.
  • One facility repaired just 50 kg of garments in a year it processed 47 million kg of collected textiles.
The Geography of Cost
  • EU exports of used textiles have tripled since 2000, reaching nearly 1.7 million tonnes annually by 2023.
  • Accra's Kantamanto Market receives an estimated 15 million garments weekly, with 86.5% of sampled bales showing some damage on arrival.
  • Cumulative import taxes in Ghana reach around 40% of declared bale value, compressing already thin trader margins.
  • Pakistan imports more than 800,000 tonnes of secondhand clothing annually, nearly doubling its value through skilled sorting before re-export.
  • Current EPR frameworks provide no cross-border financing, leaving receiving market actors outside the system they subsidise with their labour.

Subir Ghosh

SUBIR GHOSH is a Kolkata-based independent journalist-writer-researcher who writes about environment, corruption, crony capitalism, conflict, wildlife, and cinema. He is the author of two books, and has co-authored two more with others. He writes, edits, reports and designs. He is also a professionally trained and qualified photographer.

 
 
 
Dated posted: 14 May 2026 Last modified: 14 May 2026